A picture frame provides important physical protection, but it does not completely isolate artwork from its surroundings. Light, humidity, temperature, moisture, pollutants, insects, and other environmental conditions can still affect framed artwork over time.
Understanding these risks can help determine where artwork should be displayed, which framing materials are appropriate, and when additional preservation measures should be considered.
Light is one of the most significant environmental factors affecting displayed artwork. Exposure is cumulative, meaning that small amounts of light received repeatedly over many years can eventually produce visible changes.
Depending on the materials involved, light can contribute to fading, discoloration, yellowing, weakening of paper, and changes to pigments, inks, dyes, photographs, and textiles.
Friedman’s guide to UV light and artwork protection explains how ultraviolet radiation and visible light affect framed artwork.
Direct sunlight combines intense visible light, ultraviolet radiation, and heat. For artwork intended to be preserved, prolonged direct sun is generally an unfavorable display condition.
Protective glazing can reduce ultraviolet exposure, but it does not eliminate the effects of intense visible light or heat. UV-protective glass should therefore not be treated as permission to place sensitive artwork in continuous direct sunlight.
Moving a framed piece to a wall receiving indirect or controlled light can be an important part of protecting it.
Many materials used in artwork absorb and release moisture as relative humidity changes. Paper, wood, textiles, and other organic materials can expand and contract in response.
Repeated changes can contribute to rippling, warping, dimensional movement, weakened attachments, and other forms of stress within a framed piece.
High humidity can create additional concerns by encouraging mold growth and increasing the likelihood of moisture-related deterioration.
Temperature can affect both artwork and the environment inside a frame. High temperatures can accelerate some chemical deterioration processes, while repeated temperature changes can occur alongside changes in relative humidity.
Framed artwork is generally better suited to relatively stable indoor environments than locations exposed to repeated extremes.
Walls or spaces close to fireplaces, heating equipment, exterior doors, or other strong heat sources may therefore be less appropriate for sensitive pieces.
Liquid moisture presents a more immediate risk than normal variations in humidity. Water can stain paper, distort artwork, damage finishes, weaken adhesives, and encourage mold growth.
Condensation can also become a concern when environmental conditions allow moisture to form on glazing or other surfaces.
Standard picture framing should not be considered waterproof or completely sealed against moisture.
Bathrooms, some kitchens, and other areas with frequent moisture or humidity changes can present additional challenges for framed artwork.
Repeated exposure to steam or elevated humidity can affect paper, backing materials, wooden frames, mounting systems, and other components.
Replaceable decorative artwork may be acceptable in locations where an original, valuable, or irreplaceable piece would be better displayed elsewhere.
Dust, smoke, airborne particles, and other pollutants can accumulate on exposed surfaces and may contribute to deterioration over long periods.
Glazing provides an important physical barrier for many works on paper and photographs, while backing and proper frame construction help protect the piece from the rear.
A frame is not completely airtight, however, so the quality of the surrounding environment still matters.
Some materials found in artwork and framing can be vulnerable to insects or other pests. Textiles, natural fibers, paper, wood, feathers, and certain organic materials may be particularly susceptible depending on the conditions.
Proper frame construction can provide a degree of physical protection, but it cannot guarantee that pests will never reach a framed object.
Evidence of insects, larvae, webbing, holes, or unexplained debris inside a frame should be investigated rather than ignored.
Not every risk comes from outside the frame. Materials used within the framing package can themselves affect artwork as they age.
Poor-quality boards, inappropriate adhesives, unstable papers, and unsuitable mounting materials can contribute to discoloration, staining, brittleness, or permanent alteration of the artwork.
Friedman’s guide to archival framing materials explains how material selection can reduce risks originating inside the frame.
Direct contact between sensitive artwork and glazing can create additional risks, particularly when moisture or changes in humidity are present.
Mats or concealed spacers can create appropriate clearance between the artwork and glazing. The method used depends on the artwork and desired presentation.
Friedman’s guide to picture frame spacers explains how this separation can be created when a visible mat is not part of the design.
Environmental protection also includes considering the physical location of a framed piece.
Artwork displayed in high-traffic areas, narrow hallways, public spaces, or locations where furniture and doors can strike the frame may face a greater risk of accidental impact.
Frame construction, glazing choice, hanging hardware, and installation method should reflect the dimensions, weight, and location of the finished piece.
Even properly framed artwork can be damaged if the finished piece is not securely installed.
The appropriate hardware depends on the weight and dimensions of the frame, wall construction, and installation environment. Larger and heavier pieces can require more substantial hanging systems.
Friedman’s art installation services in Savannah provide professional installation for framed artwork and other wall-mounted pieces.
Changes that may indicate a framed piece should be examined include:
Addressing a developing problem early may help prevent additional damage.
Practical steps for protecting framed artwork can include:
The appropriate precautions depend on the artwork, its materials, its importance, and the conditions where it will be displayed.
A well-designed frame can reduce many risks, but preservation does not end at the edge of the frame. Glazing, mounting, matting, backing, frame construction, installation, and the surrounding environment all contribute to the condition of displayed artwork.
For original, valuable, historic, or irreplaceable pieces, a conservation framing approach can help reduce avoidable risks within the framing package while appropriate display conditions address risks outside it.
At Friedman’s Framing in Savannah, framing decisions can account for the artwork, materials, display location, and level of long-term protection appropriate for each piece.
Save 10% off on all framing
*We respect your privacy
LINKS

1100 Eisenhower Drive, Unit #8
Savannah, GA 31406
HOURS
Mon - Fri 10:00am to 5:00pm
Saturday - Sunday Closed
© 2023 All Rights Reserved | Digital Marketing and website design powered by FLOW5 Marketing